Choosing WHICH markets to compete in based on your current skill level — not which matches you like or which sport you follow. The single most important strategic decision for a developing bettor: the amount of money you can bet on a market is inversely correlated with how easy it is to beat.
You start in low-liquidity, small-limit markets (player props, corners, totals in minor leagues) specifically because those are the easiest markets to beat. You make modest profits while building modeling skill and confidence. As your databases, analytical tools, and edge are proven, you systematically migrate toward higher-liquidity markets. You never let fandom determine where you compete — you go where your edge is largest relative to the market's difficulty.
Bookmakers allocate analytical resources proportional to betting volume. EPL main lines get the most sophisticated modeling; corners, player props, and lower-league totals get far less. The mispricing in low-liquidity markets isn't just larger — it's structurally persistent because the books will never invest in fixing it.
Deep sport knowledge (watching games, understanding rotations, knowing player tendencies) has limited value in main lines where it's already priced in — but has high value in thin markets where the bookmaker's model doesn't capture it. A basketball watcher who understands minute rotations has an edge in player props that they don't have in the point spread.
The widely-taught "start in low-liquidity markets" strategy has a critical caveat: approximately 80% of identified edges in smaller/illiquid markets are eliminated by widened bid-ask spreads. Player prop vig is often 8%+ (vs. 2-4% on main lines). You need more edge in thin markets, not just any edge.
Super Bowl prop betting evolved from 30%+ opener edges (early 2010s, where receiver lines opened 13+ yards off fair value) to edge concentrated in three specific niches: (1) props that only appear at the Super Bowl (books have no weekly pricing history), (2) game-day action (~95% of Rufus's volume is Saturday/Sunday as public distortions create late opportunities), and (3) the "no" side of yes/no props (public hammers "yes," inflating the line).